Staple Singers- Lets Do It Again Lyrics
| The Staple Singers | |
|---|---|
| The Staple Singers with Soul Train host Don Cornelius in 1974. | |
| Background data | |
| Origin | Chicago, Illinois, United States |
| Genres |
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| Years active | 1948–1994 |
| Labels |
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| Associated acts |
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| Past members | Roebuck "Pops" Staples Cleotha Staples Mavis Staples Pervis Staples Yvonne Staples |
The Staple Singers were an American gospel, soul, and R&B singing group. Roebuck "Pops" Staples (December 28, 1914 – December 19, 2000), the patriarch of the family, formed the grouping with his children Cleotha (April 11, 1934 – February 21, 2013),[1] Pervis (Nov 18, 1935 – May 6, 2021),[2] [iii] and Mavis (b. 1939). Yvonne (October 23, 1937 – April 10, 2018)[iv] [5] replaced her blood brother when he was drafted into the U.Southward. Ground forces, and once again in 1970. They are best known for their 1970s hits "Respect Yourself", "I'll Take You At that place", "If You're Prepare (Come Become with Me)", and "Let'southward Practice It Again". While the family name is Staples, the group used "Staple" commercially.
History [edit]
Starting time child to Roebuck "Pops" Staples and his wife Oceola Staples, Cleotha was born in Drew, Mississippi, in 1934.[6] Two years subsequently, Roebuck moved his family from Mississippi to Chicago.[1] Roebuck and Oceola'due south children, son Pervis and daughters, Mavis and Yvonne, were born in Chicago.[6] Roebuck worked in steel mills and meatpacking plants while his family of four children grew up.[vii] The family began appearing in Chicago-surface area churches in 1948.[4] Their first public singing appearance was at the Mount Zion Church, Chicago, where Roebuck'southward brother, the Rev. Chester Staples, was pastor.[eight]
They signed their first professional contract in 1952.[nine] During their early on career, they recorded in an audio-visual gospel-folk way with various labels: United Records, Vee-Jay Records (their "Uncloudy 24-hour interval" and "Will the Circumvolve Exist Unbroken?" were best sellers), Checker Records, Riverside Records, so Epic Records in 1965. "Uncloudy Twenty-four hour period" was an early on influence on Bob Dylan, who said of information technology in 2015, "It was the most mysterious thing I'd ever heard... I'd think about them fifty-fifty at my school desk...Mavis looked to be about the same age as me in her pic (on the cover of "Uncloudy Day")...Her singing just knocked me out...And Mavis was a not bad singer—deep and mysterious. And fifty-fifty at the young age, I felt that life itself was a mystery."[10]
The Staples' move to Epic had a run of albums, including the alive in-church building Freedom Highway anthology produced past Baton Sherrill; the championship rail of which was a civil rights motility protest song penned by Pops Staples. It was on Epic that the Staple Singers developed a style more than accessible to mainstream audiences, with "Why (Am I Treated So Bad)" and "For What Information technology's Worth" (Stephen Stills) in 1967. In 1968, the Staple Singers signed to Stax Records and released two albums with Steve Cropper—Soul Folk in Activeness and We'll Get Over, Pervis returning for them.[11] After Cropper left Stax, Al Bell produced their recordings, conducting the rhythm sessions at the famed Muscle Shoals Sound Studio and cutting the overdubs himself with engineer/musician Terry Manning at Memphis'southward Ardent Studios,[12] moving in a more funk and soul direction.
"For most of this decade, Roebuck Staples—born December 28, 1914, about One Year & two weeks later on Frank Sinatra—has been the oldest performer with direct access to the striking parade by some twenty-five years, then hither's your chance to mind your elders. Information technology's Mavis'south lowdown, occasionally undefined growl that dominates, of form; y'all should hear how secular she gets with an O.Five. Wright dejection that got buried on The Staple Swingers. Just Pops'southward unassuming moralism sets the tone and his guitar assures the catamenia."
—The All-time of the Staples Singers review in Christgau'south Tape Guide: Rock Albums of the Seventies (1981)[13]
The Staple Singers' offset Stax hit was "Heavy Makes You Happy (Sha-Na-Smash-Boom)" in early 1971. Their belatedly 1971 recording of "Respect Yourself", written by Luther Ingram and Mack Rice, peaked at number two on the Billboard R&B chart and number 12 on the Billboard Hot 100. Both hits sold over ane million copies and were each awarded a gold disc by the Recording Manufacture Association of America.[14] The song'south theme of cocky-empowerment had universal appeal, released in the period immediately post-obit the intense American ceremonious rights movement of the 1960s. In 1972, "I'll Take You There" topped both Billboard charts.[xv] In 1973, "If You're Prepare (Come Go With Me)" reached number 9 on the Hot 100 and number one on the R&B chart.
After Stax'due south 1975 bankruptcy, The Staple Singers signed to Curtis Mayfield's label, Curtom Records, and released "Let's Do It Again", produced by Mayfield; the vocal became their second number-one pop hit in the U.South., and the album was also successful. In 1976, they collaborated with The Band for their film The Concluding Waltz, performing on the song "The Weight" (which The Staple Singers had previously covered on their commencement Stax album). Even so, they were not able to regain their momentum, releasing only occasional modest hits. The 1984 album Turning Point featured a embrace of the Talking Heads' "Slippery People", which reached the Pinnacle 5 on the Dance chart. In 1994, they again performed the song "The Weight" with country music artist Marty Stuart for MCA Nashville's Rhythm, State and Blues compilation, somewhat re-establishing an audition. The song "Respect Yourself" was used by Spike Lee in the soundtrack to his movie Crooklyn, made in 1994.
Pops Staples died of complications from a concussion suffered in Dec 2000.[16] Cleotha Staples died in Chicago on February 21, 2013, at the historic period of 78, after suffering from Alzheimer's illness for over a decade.[17] Mavis Staples has continued to deport on the family tradition and continues to add together her vocal talents to both the projects of other artists and her own solo ventures. She appeared at Glastonbury in 2015[xviii] and 2019,[19] and her 2016 album Livin' on a High Note includes a unproblematic acoustic version of a Martin Luther Rex sermon in the track "MLK Song".[20] Yvonne Staples died on April 10, 2018, at the historic period of 80.[21] Pervis Staples died suddenly in his home in Dolton, Illinois, on May 6, 2021, at the age of 85.[22]
Documentary [edit]
The 2015 documentary film Mavis! recounts the history of The Staple Singers and follows Mavis Staples' solo career after Pops Staples' death. Directed past Jessica Edwards, the movie premiered at the 2015 Due south by Southwest Film Festival and was circulate past HBO in February 2016.[23]
Awards [edit]
The Staple Singers were inducted into the Stone and Roll Hall of Fame in 1999[24] and the Gospel Music Hall of Fame in 2018.[25] They were also honored with a marker on the Mississippi Dejection Trail in Drew, Mississippi.[26] In 2005, the grouping was awarded the Grammy Lifetime Accomplishment Honor.[27]
Discography [edit]
Early albums [edit]
- A Gospel Program (with The Caravans) (Gospel/Savoy MG-3001, 1958)
- Uncloudy Twenty-four hour period (Vee Jay VJLP-5000, 1959)
- Volition the Circle Be Unbroken (Vee Jay VJLP-5008, 1960)
- Swing Depression (Vee Jay VJLP-5014, 1961)
- Hammer and Nails (Riverside RLP-3501, 1962)
- The Xx-Fifth Day of December (Riverside RLP-3513, 1962)
- This State (Riverside RM-3524, 1963)
- Swing Low Sweetness Chariot (Vee Jay VJLP-5030, 1963)
- Amen! (Ballsy BN-26132, 1965)
- Freedom Highway (Epic BN-26163, 1965)
- This Piffling Light (Riverside RM-3527, 1965)
- Why (Ballsy BN-26196, 1966)
- Pray On (Epic BN-26237, 1967)
- For What It'south Worth (Epic BN-26332, 1967)
- What the World Needs Now is Love (Epic BN-26373, 1968)
- Soul Folk in Action (Stax STS-2004, 1968)
- We'll Become Over (Stax STS-2016, 1969)
Source:[28]
Charted albums [edit]
| Yr | Title | Elevation chart positions | Record label | ||
|---|---|---|---|---|---|
| US [29] | US R&B [29] | CAN [30] | |||
| 1971 | The Staple Swingers | 117 | ix | — | Stax |
| 1972 | Be Altitude: Respect Yourself | 19 | iii | 72 | |
| 1973 | Exist What Yous Are | 102 | xiii | — | |
| 1974 | Metropolis in the Heaven | 125 | 13 | — | |
| 1975 | Let'southward Practise It Once again | xx | 1 | 87 | Curtom |
| 1976 | Pass It On | 155 | xx | — | Warner Bros. |
| 1977 | Family Tree | — | 58 | — | |
| 1978 | Unlock Your Mind | — | 34 | — | |
| 1984 | Turning Point | — | 43 | — | Private I |
| "—" denotes releases that did not chart or were not released. | |||||
Charted singles [edit]
| Twelvemonth | Title | Elevation nautical chart positions | ||||
|---|---|---|---|---|---|---|
| US [29] | Us R&B [29] | AUS [31] | Can [30] | UK [32] | ||
| 1967 | "Why? (Am I Treated So Bad)" | 95 | — | — | — | — |
| "For What It's Worth" | 66 | — | — | — | — | |
| 1970 | "Love Is Plentiful" | — | 31 | — | — | — |
| 1971 | "Heavy Makes You Happy (Sha-Na-Boom Boom)" | 27 | half-dozen | — | 60 | — |
| "You've Got to Earn Information technology" | 97 | 11 | — | — | — | |
| "Respect Yourself" | 12 | two | — | 17 | — | |
| 1972 | "I'll Take You There" | 1 | 1 | — | 21 | 20 |
| "This World" | 38 | six | — | 85 | — | |
| 1973 | "Oh La De Da" | 33 | 4 | — | — | — |
| "Be What You Are" | 66 | 18 | — | — | — | |
| "If You're Ready (Come Go with Me)" | 9 | 1 | — | 79 | 34 | |
| 1974 | "Touch a Mitt, Brand a Friend" | 23 | iii | — | 33 | — |
| "City in the Sky" | 79 | iv | — | — | — | |
| "My Principal Man" | 76 | 18 | — | — | — | |
| 1975 | "Let'southward Practise It Over again" | i | 1 | 97 | 7 | — |
| 1976 | "New Orleans" | lxx | 4 | — | 84 | — |
| "Love Me, Love Me, Love Me" | — | 11 | — | — | — | |
| 1977 | "Sweeter Than the Sweetness" | — | 52 | — | — | — |
| "See a Little Further (Than My Bed)" | — | 77 | — | — | — | |
| 1978 | "I Honestly Love You" | — | 68 | — | — | — |
| "Unlock Your Heed" | — | 16 | — | — | — | |
| 1979 | "Chica Nail" | — | 82 | — | — | — |
| 1984 | "H-A-T-E (Don't Live Here Anymore)" | — | 46 | — | — | — |
| "Slippery People" | 109 | 22 | — | — | 78 | |
| "This Is Our Night" | — | 50 | — | — | — | |
| 1985 | "Are You Ready?" | — | 39 | — | — | — |
| "Nobody Can Brand It on Their Own" | — | 89 | — | — | — | |
| "—" denotes releases that did not chart or were not released. | ||||||
References [edit]
- ^ a b Cleotha Staples Obituary Legacy.com accessdate July xx, 2018
- ^ Blistein, Jon (12 May 2021). "Staple Singers Co-Founder Pervis Staples Dead at 85". Retrieved 15 June 2021.
- ^ Traub, Alex (14 May 2021). "Pervis Staples, Who Harmonized With the Staple Singers, Dies at 85". Nytimes.com . Retrieved June 15, 2021.
- ^ a b Stack, Liam (11 April 2018). "Yvonne Staples, Member and Manager of the Staple Singers, Dies at fourscore". The New York Times. p. A25. Retrieved Apr 16, 2018.
- ^ O'Donnell, Maureen. "Yvonne Staples of the Staples Singers dies at fourscore". Chicago Dominicus-Times . Retrieved April 10, 2018.
- ^ a b Cleotha Staples: Vocalist with the Staples Singers, The Independent, accessdate July xx, 2018
- ^ Gary Kramer, Liner notes to Riverside l.p. Hammer and Nails, 1962.
- ^ H.R.R. Liner notes to original Vee Jay l.p. Uncloudy Day, 1959.
- ^ Preiser, David (2002). Uncloudy Day [CD liner notes]. New York: Koch Jazz.
- ^ Interview with Bob Dylan. i newspaper (London) Feb tertiary 2015
- ^ Liner notes to Stax LPs Soul Folk in Activeness, 1968 and We'll Get Over, 1969
- ^ Rob Bowman Stax: 50th Anniversary Commemoration (Beverly Hills) 2007, and see also Rob Bowman, Soulsville United states: The Story of Stax Records there cited.
- ^ Christgau, Robert (1981). "Consumer Guide '70s: Southward". Christgau'south Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN089919026X . Retrieved March 12, 2019 – via robertchristgau.com.
- ^ Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p. 303. ISBN0-214-20512-6.
- ^ Billboard Publications Inc. Billboard R&B/Soul and Billboard Hot 100 charts, 10.9.1971 and iv.1.1972, cited by Rob Bowman, above.
- ^ "R&B pioneer Pops Staples dies". 2000-12-21. Retrieved 2020-12-02 .
- ^ Obituaries, The New York Times, February 24, 2013; The Guardian paper (London), February 24, 2013.
- ^ "Glastonbury 2015 - Mavis Staples". BBC Music Events . Retrieved 2020-12-02 .
- ^ "Glastonbury 2019 - Mavis Staples". BBC Music Events . Retrieved 2020-12-02 .
- ^ The Times newspaper, (London), February 19, 2016.
- ^ "Yvonne Staples of the Staple Singers dead at 80". suntimes.com.
- ^ Limbong, Andrew (2021-05-13). "Pervis Staples, Founding Fellow member Of The Staple Singers, Dies At Age 85". NPR. Retrieved 2021-05-13 .
- ^ "Critic reviews for Mavis!". metacritic.com. February 28, 2016. Retrieved January iii, 2020.
- ^ "Inductee Explorer - Stone & Roll Hall of Fame". rockhall.com.
- ^ "Staple Singers". Gospel Music Hall of Fame . Retrieved April five, 2018.
- ^ "Staple Singers". Mississippi Blues Trail.
- ^ "Staple Singers". GRAMMY.com. 2020-11-23. Retrieved 2020-12-02 .
- ^ The Encyclopedia of Pop Music, p. 3105 0857125958 Colin Larkin - 2011.
- ^ a b c d "Usa Charts > Staple Singers". Billboard . Retrieved November xviii, 2012.
- ^ a b "CAN Charts > Staple Singers". RPM . Retrieved November 18, 2012.
- ^ Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 290. ISBN0-646-11917-6.
- ^ Dafydd Rees, Barry Lazell & Roger Osborne 40 Years of New Musical Limited Charts (London) 1992. Entries for June 17, 1972, & July 6, 1974.
External links [edit]
- The Staple Singers at VH1
- The Staple Singers at AllMusic
Source: https://en.wikipedia.org/wiki/The_Staple_Singers
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